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After the Cuban Revolution of 1959, there were many efforts by the government to institutionalize rumba, which has resulted in two different types of performances. The first was the more traditional rumba performed in a backyard with a group of friends and family without any type of governmental involvement.
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
Cajón de rumba Mahogany Supertumba by 63rd Street Percussion. The cajones de rumba are wooden boxes used as rhythmic percussion instruments in some styles of Cuban rumba. There are different types of cajones, namely the cajón tumbadora, the cajón bajo and the cajita, all of which are hand-struck.
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell (ekón) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon ...
As a genre, tahona is considered a style of Cuban rumba, and together with yambú it is one of the oldest. [3] However, it differs from the canonical rumba styles in the fact that it developed in the eastern part of Cuba, the Oriente Province , due to the immigration of Haitian slaves following the Haitian Revolution of the 1790s.
A basic form of the secondary resolution quinto phrase. Havana born Mongo Santamaría (1917-2003) was a tremendous quintero, and at one time, the most famous conga drummer in the world. He was one of the first to record traditional rumba: Afro-Cuban Drums (1952), Changó (1954), Yambú (1958), Mongo (1959), and Bembé (1960). Santamaría's ...
In Cuba, these dances were influenced by African rhythmic and dance styles and so became a genuine fusion of European and African influences. [4] The danzón developed in 1879, and has been an important root for Cuban music up to today. Its precursor is the habanera, which is a creolized Cuban dance form.
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [7] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana.