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Kutani ware (九谷焼, Kutani-yaki) is a style of Japanese porcelain traditionally supposed to be from Kutani, now a part of Kaga, Ishikawa, in the former Kaga Province. [1] It is divided into two phases: Ko-Kutani (old Kutani), from the 17th and early 18th centuries, and Saikō-Kutani from the revived production in the 19th century.
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Most are thick porcelain table ware with blue cobalt paintings. Tokoname ware: 常滑焼: Tokoname, Aichi: Most are flower vases, rice bowls, or teacups. Tsuboya ware: 壺屋焼: Tsuboya, Naha: A form of Ryukyuan pottery. Most are thick porcelain table ware with blue cobalt paintings. Zeze ware: 膳所焼: Ōtsu, former Zeze domain
The Hirado daimyō family, the Matsura, established a village of Korean potters in the early 17th century. They made stoneware of the Karatsu ware type. In the next generation, in the mid-1630s, one of these, Sanojō (1610–1694), discovered a good source of kaolin, needed for porcelain, at Mikawachi.
Kinrande porcelain bowl, red enamel, gilding, by Eiraku Hozen, Kyoto. Edo period, c. 1830 – c. 1850. Kinrande (金襴手, literally "gold brocade") is a Japanese porcelain style where gold is applied on the surface and there are a number of variations.
Chinese export porcelain made for European markets was a well-developed trade before Japanese production of porcelain even began, but the Japanese kilns were able to take a significant share of the market from the 1640s, when the wars of the transition between the Ming dynasty and the Qing dynasty disrupted production of the Jingdezhen porcelain that made up the bulk of production for Europe ...
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Famille rose bowl, Imperial porcelain, Jingdezhen Famille rose (French for " pink family ") is a type of Chinese porcelain introduced in the 18th century and defined by pink overglaze enamel . It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: fencai , ruancai , yangcai , and falangcai . [ 1 ]