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In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in Istanbul. The panel included the experts on Islamic geometric pattern Carol Bier, [g] Jay Bonner, [h] [66] Eric Broug, [i] Hacali Necefoğlu [j] and Reza Sarhangi.
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Panel of carved stucco wall decoration from Abbasid Samarra, Iraq, in the "beveled" style (9th century), showing flatter and more abstract motifs. It was only in the 9th century that a distinctively "Islamic" style of stucco decoration emerged. [4]
These hanging scrolls cover large areas of a wall and usually do not have a border in between. [10] Couplet (對聯) A couplet is two hanging scrolls placed side by side or accompanying a scroll in the middle. They have calligraphy in vertical writing. This style became popular during the Ming dynasty (1368–1644). [12] Thin strip painting ...
Panel of stucco decoration from Abbasid Samarra (9th century), Iraq, exemplifying the "beveled" style that employed more abstract motifs. [ 43 ] Features from the late Umayyad period, such as vaulting, carved stucco , and painted wall decoration, were continued and elaborated in the Abbasid period. [ 39 ]
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.