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Midway through the song, everything erupts like—not to be too obvious—a geyser, guitars and violins crescendoing as Miyawaki professes her devotion." [4] Vice wrote that the song features "ominous organ sounds and Mitski's trademark sonic swell. When the percussion comes in the whole thing comes alive, and there are some added synth lines ...
[1] [2] A music video for the song was released on May 23 that year, [3] [4] which Paste described as "chilling", [5] while Vice called it "anything but happy". [6] Stereogum wrote "Sonically, the song follows an opposite trajectory, building from eerie metallic clattering and mournful whispers to an exultant explosion of guitar and saxophone ...
Spin wrote, "You would think a song made up of someone looping the word “nobody” over and over is doomed to fail but Mitski manages to turn kitschy into catchy without being overwrought." [11] AllMusic critic Marcy Donelson thought that the song was a highlight on the album, describing "Nobody" as "disco-injected". [12]
Cat senses are completely different from ours and are much more sensitive to sound. For instance, they can pick up sound playing through vibrations in the air on their whiskers. It's actually ...
Mitski performing in 2022, incorporating Butoh-inspired choreography. Mitski shared her new song, "Cop Car", in January 2020, [58] a never-released piece from the soundtrack of The Turning. [59] She was featured in the song "Susie Save Your Love" from Allie X's album, Cape God, released in February 2020. [60]
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It should only contain pages that are Mitski songs or lists of Mitski songs, as well as subcategories containing those things (themselves set categories). Topics about Mitski songs in general should be placed in relevant topic categories .
Bury Me at Makeout Creek received acclaim from music critics. [20] [21] Writing for Pitchfork, Ian Cohen said, "though not necessarily nostalgic, the sound of Bury Me at Makeout Creek, the impressive third album from Mitski Miyawaki, is inventive and resourceful in a '90s-indie way," concluding the review saying the album "still sounds like a breakthrough even if nothing's coming up Mitski in ...