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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
The material of the chair, Zenaloy, which is polyester reinforced with fiberglass, was first developed by the US Army during World War II. [4] Using this material, Ray and Charles Eames designed a prototype chair for the 1948 ‘International Competition of Low-Cost Furniture Design’ held by the Museum of Modern Art.
The "Retro Modern" style is associated with the decades of the 1950s and 1960s. [3] As a furniture material, polypropylene, which was manufactured in colors that could be matched to paint chips, came into its own. Foam molding, mostly used as upholstery cushions, became a basic structural unit for furniture in the early 1960s. [4]
Office furniture companies quickly developed panel-hung systems and other types of systems furniture which sought to provide some of the advantages of office landscape, but with slightly greater privacy, density, and storage capacity. Initially, the layouts typical of these systems imitated the irregular, organic forms of office landscape.
The design office of Charles and Ray Eames functioned for more than four decades (1943–1988) in the former Bay Cities Garage [3] at 901 Abbot Kinney Boulevard in Venice, Los Angeles, California. The Eameses worked approximately 13-hour days, six or seven days a week, and directed the work of a team of collaborators. [ 4 ]
After a brief period of National Service in the British army, [2] Hicks began work drawing cereal boxes for J. Walter Thompson, the advertising agency. [4] His career as designer-decorator was launched to media-acclaim in 1954 when the British magazine House & Garden featured the London house he decorated (at 22 South Eaton Place) [5] for his mother and himself.
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