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Lawrence Alma-Tadema, Tibullus at Delia's. Albius Tibullus (c. 55 BC – c. 19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins. Little is known about the life of Tibullus.
Tibullus book 1 is the first of two books of poems by the Roman poet Tibullus (c. 56–c.19 BC). It contains ten poems written in Latin elegiac couplets, and is thought to have been published about 27 or 26 BC.
Like most of the 20 poems in the 3rd book of Tibullus, its date and authorship are disputed, with scholars disagreeing whether it was written by Tibullus or another member of Messalla's circle around 31 BC, or whether (as many scholars think) it is a piece of pseudepigrapha written by an anonymous author many years later.
Sulpicia's surviving work consists of six short elegiac poems (3.13–18), which have been preserved as part of a collection of poetry, book 3 of the Corpus Tibullianum, initially attributed to Tibullus. The poems are addressed to Cerinthus. [2] Cerinthus was most likely a pseudonym, in the style of the day (like Catullus's Lesbia and ...
Other examples are Tibullus 1.7, poems 3.11 and 3.12 in the Garland of Sulpicia and 3.14 and 3.15 in Sulpicia's poems in book 3 of the Tibullan collection. On the identity of Cornutus, see above. The poem as a whole is a ring composition, beginning and ending with the birthday god Natalis and the words venit, veniat 'he comes, may it come'.
After a detailed study of the metre of the elegiac poems of the Corpus Tibullianum, the French scholar Augustin Cartault (1911) came to the conclusion that metrically at least, there is nothing to separate the style of the Garland of Sulpicia (3.7–12) and the last two poems in the book (3.19–20) from the genuine poems of Tibullus; but the ...
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
The Roman love elegies of Tibullus, Propertius, and Ovid (Amores, Heroides), with their personal phrasing and feeling, may be the thematic ancestor of much medieval, Renaissance, Romantic, and modern lyric poetry, but these works were composed in elegiac couplets and so were not lyric poetry in the ancient sense. [7]