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MediaHuman Audio Converter is able to accept many popular audio file formats, such as MP3, WMA and WAV. The software is also capable of importing files to iTunes (Music app on macOS Catalina and above [4]). [5] MediaHuman Audio Converter is designed to use multiple CPU cores when converting files in ‘batch mode’. [6]
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.
Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.
Rangzen Shonu (Tibetan: རང་བཙན་གཞོན་ནུ་, Wylie: rang btsan gzhon nu: "Freedom Youth") was a three-member rock band formed by Tenzin Choesang, Norbu Choephel and Tsering Paljor Phurpatsang.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
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Songs for Tibet: The Art of Peace is a music album with contributions from a number of musicians from throughout the world, including the United States, the United Kingdom, Canada, and South Africa. The artists include Sting , Garbage , Rush , Suzanne Vega , Jonatha Brooke , and Alanis Morissette .
Vietnam II: The Music of South Viet-Nam —BM 30 L 2023 [1] This album was reissued as Auvidis D 8070 (1996). [8] Also, the two albums above were reissued by Rounder as Anthology of World Music: The music of Vietnam, CD 5140. [9] [10] Review of Vietnam I/II by W. Adriaansz: Ethnomusicology 16, #2 (May 1972), pp. 308-310, JSTOR 849733.