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"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. Redding recorded it twice in 1967, including just three days before his death in a plane crash on December 10, 1967. It was released on Stax Records' Volt label in 1968, [4] becoming the first posthumous #1 single in the US. [5]
The Dock of the Bay is the first of a number of posthumously released Otis Redding albums, and his seventh studio album. It contains a number of singles, B-sides, and previously released album tracks dating back to 1965, including one of his best known songs, the posthumous hit "(Sittin' On) The Dock of the Bay".
Shortly before his death in a plane crash, Redding wrote and recorded "(Sittin' On) The Dock of the Bay" with Steve Cropper. Released in January 1968, the song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK ...
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(Sittin' On) The Dock of the Bay" is a 1968 song by Otis Redding. (The) Dock of the Bay may also refer to: The Dock of the Bay, a 1968 album by Otis Redding; The Dock of the Bay – The Definitive Collection, a 1987 compilation album by Otis Redding; Dock of the Bay, an American radical New Left underground newspaper
The Hunger is the fifth studio album by American recording artist Michael Bolton.It was released in 1987 by Columbia Records, his third for the label.It became Bolton's breakthrough album, producing his first two Top 40 hits in the United States, the ballad "That's What Love Is All About" and the Otis Redding cover "(Sittin' On) The Dock of the Bay".
[10] [18] [70] The UOGB began the approach of orchestrating songs so that each ukulele played a separate part ~ “since then we’ve seen the concept of ensemble ukulele playing flourish right across the world.” [71] [12] [72] [73] Asked by the Sydney Morning Herald to explain the success of his orchestra, Hinchliffe replied "the world has ...
The song "Ode to Mel Bay" (written and first recorded by Michael "Supe" Granda of the Ozark Mountain Daredevils and featured on the album The Day Finger Pickers Took Over the World by Tommy Emmanuel and Chet Atkins), is a light-hearted song about Mel Bay's encyclopedia of guitar chords and the books in general.