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In computer graphics, a texture atlas (also called a spritesheet or an image sprite in 2D game development) is an image containing multiple smaller images, usually packed together to reduce overall dimensions. [1] An atlas can consist of uniformly-sized images or images of varying dimensions. [1]
A herder is a pastoral worker responsible for the care and management of a herd or flock of domestic animals, usually on open pasture. It is particularly associated with nomadic or transhumant management of stock, or with common land grazing.
Pasture is typically grazed throughout the summer, in contrast to meadow which is ungrazed or used for grazing only after being mown to make hay for animal fodder. [ 2 ] Pasture in a wider sense additionally includes rangelands , other unenclosed pastoral systems , and land types used by wild animals for grazing or browsing .
Cows in the Pasture is an upcoming country and western album recorded in 1970 by former Beach Boys talent manager and promoter Fred Vail and produced by Brian Wilson. [ 1 ] [ 2 ] [ 3 ] The album is now in the works to be completed, along with a docuseries which will trace Vail's life story and the resurrection of the country record.
Cow's Skull: Red, White, and Blue is a painting by American artist Georgia O'Keeffe.It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue.
Thomas Sidney Cooper was born in St Peter's Street in Canterbury, Kent, [2] and baptised at St Peter's Church. [3] As a small child he began to show strong artistic talent, but his family had little money (his father had deserted the family when the boy was five) and could not pay for any tuition, or even for paper and pencils.
After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]