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Bowl with couple in a garden, around 1200. In this type of scene, the figures are larger than in other common subjects. Diameter 18.8 cm. [1] Side view of the same bowl Mina'i ware is a type of Persian pottery, or Islamic pottery, developed in Kashan in the decades leading up to the Mongol invasion of Persia and Mesopotamia in 1219, after which production ceased. [2]
Carved decoration in ceramics, sgraffito, is an old tradition used in ninth-century Islamic pottery; it is an engraving technique based on incising the design with a sharp tool through a white slip to reveal the red earthenware body. The vessel is then coated with glaze.
Lustreware was a speciality of Islamic pottery, at least partly because the use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, [2] with the result that pottery and glass were used for tableware by Muslim elites, when Christian ...
Early Islamic lustreware ceramics were predominately produced in Lower Mesopotamia during the ninth and tenth centuries. [24] In the Great Mosque of Kairouan , Tunisia , the upper part of the mihrab is adorned with polychrome and monochrome lustreware tiles; dating from 862 to 863, these tiles were most probably imported from Mesopotamia.
Ceramic styles popular in the Islamic world include lustreware (with a thin metallic film), sgraffiato (in which the design is etched into the slip), and underglaze pottery. [79] Khalili's ceramic collection, numbering nearly 2,000 items, has been described as particularly strong in pottery of the Timurid era and also that of pre-Mongol Bamiyan ...
[7] [8] [9] The Nasser D. Khalili Collection of Islamic Art includes 26,000 objects documenting arts from Islamic lands over a period of almost 1400 years. It was described in 1998 as "one of the largest and most representative collections of Quranic manuscripts in the world" [ 10 ] and is the largest private collection.
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Dikran Kelekian (December 27, 1867 [1] – January 1951), was a notable collector and dealer of Islamic art. The son of an Armenian banker from Kayseri , Dikran Kelekian and his brother Kevork set themselves up in the antiquities business in Istanbul in 1892.