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This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
He positioned his backing musicians, brother Ernie and Uncle Jamie, to play guitar and drums respectively, with the bass player being his compadre, Joe Tanguma — at the age of only 19. He began climbing the Latin American music charts in 1995 after releasing his single "Cruz de Madera". Salgado's 1996 album "En Concierto" introduced his most ...
However, due to various cultural and socioeconomic developments in the 1900s, norteño musicians began trailblazing the tejano genre as a tangent to conjunto. [2] In the United States and Mexico, a conjunto band is composed of four main instruments: the button accordion, the bajo sexto, an electric bass, and a drum set. They are popular in ...
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
She performs in the Tejano style as part of the ensemble Victoria Sus Chikos (Victoria and Her Boys). [2] She records on the Hacienda Records label. [3] Galvan is one of the few female Tejano vocalists to play the accordion herself as well as being the lead vocalist. [4] [failed verification] She prefers and
José Roberto Pulido (born March 1, 1950), known as Roberto "El Primo" Pulido, is an American musician whose career spans five decades.Pulido has been recognized as a Tejano music pioneer for his introduction of the accordion and saxophone into his music which "helped bridged the traditional conjunto and the modern Tejano camps" in the mid-1970s. [1]
Sahm was so thoroughly immersed in Tejano culture, that he later recorded an album under the name Doug Saldaña. Despite the musician's efforts to make the group appear to have emerged from the British Invasion, scholars have noted that the group's clear Tejano influences and accordion based slowed down polka rhythms give the band a Chicano ...
The book's back cover touts that it contains the "never-before-told history of this innovative and influential musical genre". [1] The book includes the musical biographies and discographies of 300 musicians in the Tejano, norteño, grupero, mariachi, banda, and technobanda fields, as well as some artists from other genres outside regional Mexican such as cumbia, vallenato, romantic trio and ...