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The early history of Islamic pottery remains somewhat obscure and speculative as little evidence has survived. Apart from tiles that escaped destruction due to their use in architectural decoration of buildings and mosques, much early medieval pottery vanished.
Lustreware was a speciality of Islamic pottery, at least partly because the use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, [2] with the result that pottery and glass were used for tableware by Muslim elites, when Christian ...
The exact date of this change, fundamental for the whole history of Islamic ceramics, remains very vague, for lack of a precise chronological marker.We can nevertheless make several remarks concerning the stylistic evolution of the decorations.We are thus witnessing the appearance of a figurative, animal and anthropomorphic decoration, very ...
The tradition continued, and after the Islamic conquest of Persia coloured and often painted glazed bricks or tiles became an important element in Persian architecture, and from there spread to much of the Islamic world, notably the İznik pottery of Turkey under the Ottoman Empire in the 16th and 17th centuries.
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Bowl with couple in a garden, around 1200. In this type of scene, the figures are larger than in other common subjects. Diameter 18.8 cm. [1] Side view of the same bowl Mina'i ware is a type of Persian pottery, or Islamic pottery, developed in Kashan in the decades leading up to the Mongol invasion of Persia and Mesopotamia in 1219, after which production ceased. [2]
Islamic pottery of everyday quality was still preferred to European wares. [2] In the early centuries of Islam, the most important points of contact between the Latin West and the Islamic world from an artistic point of view were Southern Italy, Sicily, and the Iberian peninsula, which both held significant Muslim populations.
The World of Islam, 1966. The Classical Style in Islamic Painting, 1968. Islamic Pottery of the 8th to the 15th Century in the Keir Collection, 1976. Architecture of the Islamic World: Its History and Social Meaning (with G. Michell), 1984. A Mirror for Princes from India : Illustrated Versions of the Kalilah Wa. 1992.