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Clarence R. Kohlmann (Philadelphia, Pennsylvania, September 24, 1891 – December 13, 1944, Philadelphia, Pennsylvania) was an American keyboardist and composer.He achieved renown for his arrangements of sacred music for the piano and organ.
D 1C, Sonata in F major for piano duet (1810 or 1811, fragment of the first movement is extant) D 9, Fantasy in G minor for piano duet (1811) D 48, Fantasy in C minor for piano duet, Grande Sonate (1813, 2 versions) D 608, Rondo in D major for piano duet, Notre amitié est invariable (1818, 2 versions; 2nd version first published as Op. posth. 138)
Trivium for organ (1976) Für Alina for piano (1976) Pari intervallo in four parts without fixed instrumentation (1976) Version for organ (1980) Version for four recorders (1980) Version for clarinet, trombone and string orchestra (1995) Version for saxophone quartet (2002) Version for two pianos or piano duet (2008) Version for 8 or 4 celli (2010)
Paganiana: variations for piano four-hands (1968) [1] Emmanuel Chabrier (1841–1894) Pas redoublé (Cortège burlesque) (1881) Prélude et marche française (1885) Souvenirs de Munich, Quadrille sur les thèmes favoris de Tristan et Isolde de Richard Wagner (1887) Muzio Clementi (1752–1832) 3 Duets, Op. 3, No. 1-3 (1779) Duet, Op. 6, No. 1 ...
For soli, four-part chorus, and organ or piano. Added Laudate Dominum (1878) For soli, two-part chorus, and organ or piano (1887) The Kyrie, Sanctus, Benedictus, and Agnus Dei, for soli or chorus in unison with organ or piano accompaniment (1886) With the organ replacing the wind instruments. To be played with a string quartet.
Op. 56, Studies in the Form of Canons for Organ or Pedal Piano (Etuden in kanonischer Form für Orgel oder Pedalklavier) (1845; also known in arrangements for piano trio) Op. 58, Sketches for Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) (1845) Op. 60, 6 Fugues on B–A–C–H for organ or pedal piano (1845)