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Bibi Smit (born 1965) is a Dutch glass artist and designer known for creating objects and installations that explore the patterns and rhythms caused by movement in nature. The process of making is a fundamental quality of her artistic practice and teaching experience.
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
A pattern used for compotes. Known colors include green, vaseline, amethyst, and marigold. [5] Big Fish A pattern that is close to the Trout and Fly pattern made by Millersburg. Made in bowl shapes in green, vaseline, amethyst, and marigold. [6] Big Thistle Only two known items have this patter. Both are punch bowls in the amethyst color [7]
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Marge Organo, contemporary glass artist; Poland. Zbigniew Horbowy (1935-2019) [2]
The digital glass printer is a flatbed digital printer designed with print heads to jet ceramic inks directly onto the glass. [5] The glass remains stationary while only the printer carriage sweeps across the print table. A key feature of the printer is drop fixation in which ink droplets are dried immediately to prevent drop gain. The fixation ...
Golden Iris was the name of the first caravel glass treatment that Northwood developed in 1908. [3] It was known for its marigold color. [1] The other carnival glass treatments made by Northwood were Emerald, Azure, Florentine, Perl, and Pomona. [5] Carnival glass is identified by the color of the glass, not the color of the treatment.
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The cooled glass cane is cut into short segments which reveal a star pattern in cross-section. The segments may be beveled or ground, to reveal the characteristic chevron pattern from which the English name is derived. The chevron pattern becomes apparent after the beads' ends have been ground.