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In 16th- and 17th-century Spanish drama, an entremés (plural entremeses) was a short, comic theatrical performance of one act, usually played during the interlude of a performance of a long dramatic work. The entremés form later evolved into the sainete. [1] [2] [3] [4]
Calderón de la Barca, a key figure in the theatre of the Spanish Golden Age. Spanish Golden Age theatre refers to theatre in Spain roughly between 1590 and 1681. [1] Spain emerged as a European power after it was unified by the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1469 and then claimed for Christianity at the Siege of Granada in 1492. [2]
Аԥсшәа; العربية; Azərbaycanca; تۆرکجه; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца)
In the Spanish Golden Age (Siglo de Oro) tradition, a comedia is a three-act play combining dramatic and comic elements. The principal characters are noblemen (galanes; sg.: galán) and ladies (damas) who work out a plot involving love, jealousy, honor and sometimes also piety or patriotism.
In Spanish all secular plays were called comedias, which embraced three genres: tragedy, drama, and comedy itself. During the Spanish Golden Age, corrals became popular sites for theatrical presentations in the early 16th century when the theatre took on a special importance in the country. The performance was held in the afternoon and lasted ...
The genre has again found favour in Spain and elsewhere: younger people, in particular, have been drawn to its lyrical music and theatrical spectacle in the 1940s and 1950s. Spanish radio and television have dedicated time to zarzuela in 1978, not least in a popular series of programs produced by TVE and entitled Antología de la zarzuela ...
A central aspect of theatre of the absurd is the deliberate contradiction between language and action. Often, the dialogue between characters starkly contrasts with their actions. Prominent playwrights within this genre include Samuel Beckett, Jean-Paul Sartre, Eugène Ionesco, Arthur Adamov, and Jean Genet. [9]
Theatre or theater [a] is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage.