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Original Pilipino Music, more commonly referred to as OPM, a commercial acronym coined by Danny Javier of the APO Hiking Society, [6] originally referred only to the pop genre of music from the Philippines, predominantly ballads and novelty numbers, that became popular after the wane of its direct 1970s commercial predecessor, Manila sound.
Ferdinand Pascual Aguilar (Tagalog: [pɐsˈkwal ʔɐɣɪˈlaɾ]; born February 5, 1953), better known as Freddie Aguilar, [1] Ka Freddie Aguilar, or simply Ka Freddie, is a Filipino folk musician and singer-songwriter regarded as one of the pillars and icons of Original Pilipino Music (OPM).
Javier coined the term "OPM" (Original Pinoy Music, Original Philippine Music, Original Pilipino Music), originally referring to the Music of the Philippines and Philippine pop songs, particularly ballads, and any musical composition created by a Filipino that became popular in the Philippines during the late '70s. The term continued to be used ...
Manila sound is styled as catchy and melodic, with smooth, lightly orchestrated, accessible folk/soft rock, sometimes fused with funk, light jazz and disco.However, broadly speaking, it includes quite a number of genres (e.g. pop, vocal music, soft rock, folk pop, disco, soul, Latin jazz, funk etc.), and should therefore be best regarded as a period in Philippine popular music rather than as a ...
Raymundo Cipriano Pujante Cayabyab (born May 4, 1954), known professionally as Ryan Cayabyab (Tagalog: [ˈɾajɐn kɐjɐbˈjab]), is a Filipino musician, composer and conductor regarded as one of the pillars and icons of Original Pilipino Music (OPM).
At a time when Filipino music was hardly favored and practically in limbo, the band springboarded Filipino music and started a revolution that we know today as Original Pinoy Music. [9] It was during the '70s that the local music industry was topped by foreign music playing disco and funk sounds. Most local artists would imitate these foreign ...
Though it has never crossed into the mainstream, the Philippines' reinterpretation of rock still feels like home in America.
In the early 1970s, Pinoy music or Pinoy pop emerged, often sung in Tagalog. It was a mix of rock, folk and ballads making political use of music similar to early hip hop but transcending class. [2] The music was a "conscious attempt to create a Filipino national and popular culture" and it often reflected social realities and problems. [2]