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Men wore one chaozhu and only women of high-ranking status were allowed to wear triple chaozhu (one at the neck and two diagonally over each shoulder and underarms). [ 1 ] [ 4 ] : 52 In arrangement, women's chaozhu differed slightly from the men's: men had a single shuzhu at the right and the pair shuzhu is found on the left (at his heart ...
Necklaces with carved jade pendant Jade culture is an important aspect of Chinese culture , [ 3 ] reflecting both the material and spiritual culture of the Chinese people. [ 4 ] : 18 Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; [ 4 ] : 18 it is also associated with positive qualities and aspects ...
[3]: 64 [17]: 111 Wearing yupei ensemble also served to: (1) remind its wearer to walk in an orderly manner which would eventually make gentlemen develop an elegant and regular walking pattern over the years despite being constrained by the jade pendants, and (2) remind the gentlemen to behave according to the decorum which is based on the ...
In Assyria, men and women both wore extensive amounts of jewellery, including amulets, ankle bracelets, heavy multi-strand necklaces, and cylinder seals. [ 39 ] Jewellery in Mesopotamia tended to be manufactured from thin metal leaf and was set with large numbers of brightly coloured stones (chiefly agate, lapis, carnelian, and jasper).
The beads, also described as "jewels", were made of primitive stone and earthen materials in the early period, but by the end of the Kofun period were made almost exclusively of jade. Magatama originally served as decorative jewelry, but by the end of the Kofun period functioned as ceremonial and religious objects.
The huia feathers were often grouped in twos and were usually accompanied by a kiwi feather cloak, an ear piercing and commonly a small jade club. After Western colonisation, European woman began wearing the feathers [dubious – discuss] to express their strong social standing. [1] A modern opal bracelet from Australia