Search results
Results From The WOW.Com Content Network
Cameo (/ ˈ k æ m i oʊ /) is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio , which has a negative image. [ 1 ]
Cameo carving, like miniature painting, was considered a suitable career for women artists due to its decorative nature and association with sentimentality. Foley continued to support herself as a cameo artist throughout her career as a sculptor, and she often received accolades for her cameos when they were exhibited. [ 3 ]
The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
This article uses cameo in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called gem carving and the artists gem-cutters . References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture , the term counter ...
Cameo or CAMEO may refer to: Cameo appearance , a brief appearance of a known figure in a film or television show, metaphorically named after a cameo carving Cameo (carving) , a method of carving, making use of layers of different colours, or an item made with such a method
Albatross Cameo Glass Perfume by Thomas Webb & Sons. The company, known originally as the "Crystal King of England," was noted for the high quality of its Cameo glass. Cameo glass is created by a process of etching and carving through a layer of opaque white glass, leaving a white relief design on a darker colored glass body. Some pieces used ...
The Blacas Cameo is an unusually large Ancient Roman cameo, 12.8 cm (5.0 in) high, carved from a piece of sardonyx with four alternating layers of white and brown. [1] It shows the profile head of the Roman emperor Augustus and probably dates from shortly after his death (aged 75) in AD 14, perhaps from AD 20–50. [ 2 ]
He was a master at cameo-carving in wood – veneering a light-colored wood over a darker, then carving through to create a vivid contrast. Some pieces were adorned with decorative tiles, others with painted glass panels backed with reflective foil.