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The club was located near the other seminal Navy Yard club called Tracks (1111 First St, S.E.), a large gay club at the time. The Capitol Ballroom began holding "Buzz" nights on Fridays, which hosted a number of national and international talent in dance music. It eventually became one of the country's largest weekly dance party/rave hybrid.
Washington, D.C. had the country's largest Black community from 1900 to 1920, heavily influencing the development of the Black Renaissance in the area. [3] While the Black Renaissance movement ultimately began in Harlem, Manhattan, New York, with the Harlem Renaissance, the movement ultimately spread to cities across the United States. In ...
During the early 1990s, acid house provided the foundation for a burgeoning rave scene to flourish. The rave scene changed the face of dance music, the image of DJs, and the nature of promoting. The innovative marketing surrounding the rave scene created the first wave of superstar DJs who established marketable "brands" around their names and ...
The U Street Corridor was the location of many jazz clubs and theatres during the early years of the jazz age.. Washington, D.C., has been home to many prominent musicians and is particularly known for the musical genres of Jazz, Rhythm & Blues, bluegrass, punk rock and its locally-developed descendants hardcore and emo, and a local funk genre called go-go.
Rave music may either refer to the late 1980s/early 1990s genres of house, new beat, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave.
“During Black Music Month, we celebrate the Black artists and creatives whose work has so often been a tidal wave of change — not only by defining the American songbook and culture but also by ...
Buzz – once called "Washington's best electronic dance night" by The Washington Post – was one of Washington, D.C.'s longest running dance parties. It was co-founded by DJ/promoter Scott Henry and DJ/promoter and DC music store (Music Now) owner Lieven DeGeyndt at the East Side Club and then relaunched in October 1995 at the now demolished Nation, formerly the Capital Ballroom.
The first D.C. venue to host primarily punk and new wave bands, the Atlantis' first punk concert featured the Slickee Boys, Urban Verbs, and White Boy on January 27, 1978. [2] By early 1979, the Atlantis had closed, but the space would reopen under new ownership on May 31, 1980, as the Nightclub 9:30—soon known as 9:30 Club —and serve as an ...