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The Soft Machine (also titled Volume One as a reissue) is the debut album by the British psychedelic rock band Soft Machine, released in 1968. It is the group's only album to feature Kevin Ayers as a member.
Soft Machine are an English rock band from Canterbury, Kent. The band were formed in 1966 by Mike Ratledge, Robert Wyatt, Kevin Ayers, Daevid Allen and Larry Nowlin. Soft Machine were central in the Canterbury scene; they became one of the first British psychedelic acts, and later moved into progressive and jazz rock.
The Soft Machine has been printed in four different editions, the first three revised by the author, the last by Burroughs scholar Oliver Harris. The first edition was printed by Olympia Press in Paris, in 1961, as number 88 in the Traveller Companion Series. It featured 182 pages arranged in 50 chapters of about 8 pages each.
Soft Machine performing live in 2018. Soft Machine are an English jazz-rock band from Canterbury. Formed in mid-1966, the group originally consisted of drummer and vocalist Robert Wyatt, guitarists Daevid Allen and Larry Nowlin, bassist and vocalist Kevin Ayers, and keyboardist Mike Ratledge. The current lineup of the band features guitarist John Etheridge (1975–1978, 1984 and since 2015 ...
Triple album covering the band's whole history to that point, featuring select tracks from all the albums up to Softs (the most recent at the time), the band's first single "Love Makes Sweet Music" and its B-side "Feelin' Reelin' Squeelin'" (both later included on 2009 remaster of The Soft Machine) and several unreleased recordings (all later ...
Soft Machine. Roy Babbington – bass guitar; John Etheridge – acoustic and electric guitars; John Marshall – drums, percussion; Alan Wakeman – soprano and tenor saxophones; Karl Jenkins – piano, electric piano, Hohner Pianet, Minimoog and string synthesizers, orchestrations
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The Soft Machine is the fifth studio album of Ozark Henry, the first of his albums to top the charts. [ 2 ] The track "These Days" was released as a single and reached the top 50 of the Ultratop charts, the first of his track releases to do so.