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Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica. It is one of the earliest known works by the artist, then in his early twenties.
Padua Crucifix (c. 1300-1305). The Padua Crucifix (Italian: Crocifisso di Padova) is a painting in tempera on poplar panel by Giotto of c. 1303–1305. [1] Originally hanging in the centre of the Scrovegni Chapel in Padua, above the latticework of the iconostasis, it was probably contemporaneous with his frescoes in the same chapel. [2]
However, Giotto's panel painting of the Stigmatization of St. Francis (c. 1297) includes a motif of the saint holding up the collapsing church, previously included in the Assisi frescoes. [18] The authorship of a large number of panel paintings ascribed to Giotto by Vasari, among others, is as broadly disputed as the Assisi frescoes. [19]
Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The Strasbourg Crucifixion is a painting in tempera and gold on panel of c. 1315 attributed to Giotto, now in the Musée des Beaux-Arts (inventory number 167) of Strasbourg, France. [ 2 ] History
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists.
The first studies of the Berlin Crucifixion by Wilhelm von Bode attributed the work to Giotto.Following critics, like Roberto Longhi in 1948, have doubted the attribution. . Others like William Suida, Pietro Toesca, and Richard Offner theorized a "Master of the Strasbourg Crucifixion", placing the Berlin Crucifixion in relation with other similar small-format wo