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The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals; Chūban (中判); a print size about 7 by 10 inches (18 cm × 25 cm) Chūtanzaku (中短冊判); a print size about 14 by 5 inches (36 cm × 13 cm)
The prints are multicolour nishiki-e woodblock prints on handmade washi paper. [6] Each horizontal print is in ōban size, [ 7 ] about 25.5 by 37 centimetres (10 in × 15 in). The book bears no publisher's seal, but from the blue covers of the folding album are the same as others published by Tsutaya Jūzaburō at the time, and the clothing of ...
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Shunbaisai Hokuei (Japanese: 春梅斎 北英; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style Japanese woodblock prints in Osaka, and was active from about 1824 to 1837. He was a student of Shunkōsai Hokushū. Hokuei’s prints most often portray the kabuki actor Arashi Rikan II. [1]
Utagawa Hirokage (歌川 広景), also known as Ichiyūsai Hirokage, was a Japanese designer of ukiyo-e woodblock prints, who was active from about 1855 to 1865. He was a pupil of Utagawa Hiroshige I. From 1860 to 1861, Hirokage designed the series of ōban size prints titled Edo meisho dōke zukushi (Joyful Events