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Sixteen replicas were commissioned from Duchamp in the 1950s and 1960s and made to his approval. [7] Some have suggested that the original work was by the female artist Elsa von Freytag-Loringhoven [8] [9] who had submitted it to Duchamp as a friend, but art historians maintain that Duchamp was solely responsible for Fountain ' s presentation ...
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
Fountain was selected in 2004 as "the most influential artwork of the 20th century" by 500 renowned artists and historians. [8] Marcel Duchamp, 1919, L.H.O.O.Q. [39] In 1919, Duchamp made a parody of the Mona Lisa by adorning a cheap reproduction of the painting with a mustache
The Fountain Archive (also called The Fountain Archives or Fountain Archive Project) is a processual art project of the French conceptual artist Saâdane Afif which started in 2008/ 2009. The project includes an ongoing series of framed pages which contain one or several reproductions of the work Fountain by Marcel Duchamp .
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new ...
The board of the 1917 Society of Independent Artists exhibit, of which Duchamp was a director, after much debate about whether Fountain was or was not art, hid the piece from view during the show. [10] Duchamp quickly quit the society, and the publication of Blind Man, which followed the exhibition was devoted to the controversy. While still ...
Fountain, a urinal placed on exhibit by Marcel Duchamp, a pioneer of the form, in 1917. [1] In 2004, Fountain was selected in a survey of 500 artists and critics as "the most influential work of modern art". [13] Artist's Shit, a 1961 artwork by Piero Manzoni, consists of 90 tin cans, each reportedly filled with 30 grams (1.1 oz) of Manzoni's ...