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Georgian art tradition has thus experienced influences from Mesopotamian, Anatolian, Greek, Persian, Roman and Byzantine art throughout antiquity. [1] It has further grown within the framework of Christian ecclesiastical and middle-eastern art of the Middle Ages, and ultimately it has evolved in the context of European and Russian art from the ...
Georgian Art, Tiflis Avenue; TITUS projects Armazi and Ecling; Georgia - South Caucasus (in German and English) From the Cradle of Wine; Kharbedia, Malkhaz: "Conformism and Resistance: The Birth of the Modern Georgian Literature" in the Caucasus Analytical Digest No. 14; Georgian Contemporary Art Portal (in English and Georgian)
Michael Maglakeli (Georgian: მიქაელ მაღლაკელი, romanized: mikael maghlak'eli; fl. 12th century) was a medieval Georgian royal painter who worked in the Kingdom of Georgia, especially at the royal court during the reign of King David IV the Builder and his son and heir, King Demetre I.
The eminent Georgian art historian Shalva Amiranashvili (after whom the museum is currently named), who was to head the museum for more than thirty years, played an important role in the formation of the collection. The museum became officially known as the Art Museum of Georgia in 1950, the same year that it moved to the building it now occupies.
Georgian calligraphy (1 C, 2 P) S. Sculpture of Georgia (country) (1 C, 3 P) Pages in category "Art of Georgia (country)" The following 8 pages are in this category ...
Georgian ecclesiastic art is one of the most notable aspects of Georgian Christian architecture, which combines the classical dome style with the original basilica style, forming what is known as the Georgian cross-dome style. Cross-dome architecture developed in Georgia during the 9th century; before that, most Georgian churches were basilicas.
Georgian Art Palace - Museum of Cultural History is a depository of Georgian cultural objects. The museum is housed in a building in Tbilisi. It was designed by a well-known architect of the time, Paul Stern, and, as an example of historicism, bears traces of Gothic architecture and Islamic architecture. [2]
Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi) The Ancha Icon of the Savior, known in Georgia as Anchiskhati (Georgian: ანჩისხატი), is a medieval Georgian encaustic icon, traditionally considered to be the Keramidion, a "holy tile" imprinted with the face of Jesus Christ miraculously transferred by contact with the Image of Edessa (Mandylion).