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The Marine Style is more free flowing with no distinct zones, because it shows sea creatures as floating, as they would in the ocean. [28] The Marine style was the last purely Minoan style; towards the end of LMIB, all the palaces except Knossos were violently destroyed, as were many of the villas and towns. [29]
It is a three-handled amphora, which belongs to the category of the so-called Palace amphorae, which arrived in the Greek mainland in the Late Helladic II and was heavily influenced by Minoan palace amphorae. [2] It is decorated with a sea-themed scene, with rocks, seaweed, and three large octopuses, whose long tentacles wind around the whole vase.
Minoan knowledge of the sea was continued by the Mycenaeans in their frequent use of marine forms as artistic motifs. The so-called Marine Style, inspired by frescoes, has the entire surface of a pot covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges. [99]
Many of the most recognizable Minoan artifacts date from this time, for instance the snake goddess figurines, La Parisienne Fresco, and the marine style of pottery decoration. [27] Late Minoan I (c. 1700-1470 BC) was a continuation of the prosperous Neopalatial culture.
The Heraklion Museum is rightly considered as the museum of Minoan culture par excellence worldwide. The museum is located in the town centre. It was built between 1937 and 1940 by architect Patroklos Karantinos on a site previously occupied by the Roman Catholic monastery of Saint-Francis which was destroyed by earthquake in 1856 .
The earliest known Kamares ware pottery was made during the Middle Minoan IA period (c. 2100-1925 BCE). In this era, the style already made use of polychromy. [1] Examples from this period have been found at Mochlos and Vasiliki in eastern Crete, at Patrikies in the Messara Plain, as well as in the West Court of the palace at Knossos.
However, according to Bietak, the techniques used and the style and motifs employed leave no doubt that the artists were Minoan. [2] The technique of using lime plaster in two layers with a highly polished surface, fresco in combination with stucco, all are techniques that are not Egyptian but are first seen in Minoan paintings.
Minyan ware is a broad archaeological term describing varieties of a particular style of Aegean burnished pottery associated with the Middle Helladic period (c. 2000/1900–1550 BC). The term was coined in the 19th century by German archaeologist Heinrich Schliemann after discovering the pottery in Orchomenos , Greece .