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The Marine Style is more free flowing with no distinct zones, because it shows sea creatures as floating, as they would in the ocean. [28] The Marine style was the last purely Minoan style; towards the end of LMIB, all the palaces except Knossos were violently destroyed, as were many of the villas and towns. [29]
Minoan knowledge of the sea was continued by the Mycenaeans in their frequent use of marine forms as artistic motifs. The so-called Marine Style, inspired by frescoes, has the entire surface of a pot covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges. [99]
The earliest known Kamares ware pottery was made during the Middle Minoan IA period (c. 2100-1925 BCE). In this era, the style already made use of polychromy. [1] Examples from this period have been found at Mochlos and Vasiliki in eastern Crete, at Patrikies in the Messara Plain, as well as in the West Court of the palace at Knossos.
Kamares style one-handled three-legged plate from Malia (Middle Minoan IIB period; 1800-1700 BC) - Heraklion Archaeological Museum. At c. 1700 BC, at the end of the Middle Minoan period, several areas of the town were destroyed. The palace was reconstructed in LM IA and then destroyed by the end of LM IB (c. 1450) and the town is abandoned. [2]
Minyan ware is a broad archaeological term describing varieties of a particular style of Aegean burnished pottery associated with the Middle Helladic period (c. 2000/1900–1550 BC). The term was coined in the 19th century by German archaeologist Heinrich Schliemann after discovering the pottery in Orchomenos , Greece .
The Late Minoan period was an eventful time that saw profound change in Minoan society. Many of the most recognizable Minoan artifacts date from this time, for instance the Snake goddess figurines, La Parisienne Fresco, and the marine style of pottery decoration. [6]