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The Miss South Dakota's Teen competition is the pageant that selects the representative for the U.S. state of South Dakota in the Miss America's Teen pageant.. Briley Steffensen of Yankton was crowned Miss South Dakota's Teen 2024 on May 31, 2024 at the South Dakota State University campus in Brookings, South Dakota.
Dangerous Moments is the third album by the English rock musician Martin Briley, released in 1985 by Mercury Records. [1] [2] The album art (an up-perspective shot of Briley juxtaposed against an inverted cityscape) was nominated for a Grammy Award. [3] The album was produced by Phil Ramone. [4]
The Salt in My Tears (Martin Briley song) Somewhere Somebody; V. Victim of Pleasure This page was last edited on 25 January 2018, at 12:56 (UTC). ...
The three Briley brothers, Linwood Earl (March 26, 1954 – October 12, 1984), James Dyral Jr. (June 6, 1956 – April 18, 1985) and Anthony Ray (born February 17, 1958), were brought up by their parents, James Dyral Briley Sr. and Bertha, in Richmond's Highland Park neighborhood.
Nemeth, as Briley Pierce, debuted on the June 20, 2012, episode of NXT taped at Full Sail University as an interviewer. [ 6 ] Pierce made his in-ring debut on the May 8 episode of NXT against Sakamoto , but both men were attacked by Conor O'Brian ; [ 7 ] this led to both men challenging O'Brian to a handicap match during the next episode, which ...
Briley signed a deal with Mercury Records as a solo artist in the early 1980s, going on to release three albums under his own name. His single "The Salt in My Tears" went into heavy rotation on MTV and reached No. 36 on the Billboard Hot 100 on 30 July 1983, [7] earning him a reputation as a one-hit wonder, [2] as the follow-up single, "Put Your Hands on the Screen", did not crack the Hot 100.
Alexander Briley (born April 12, 1947) [1] is an American singer who was the original "G.I." in the disco recording act Village People. [2] Early life and education
Fear of the Unknown is the debut solo album by the English rock musician Martin Briley, released in 1981 by Mercury Records.. Although most of the album features the same brand of pop that Briley would play throughout his solo career, the title track is a final salute to Briley's progressive rock background, featuring menacing distorted vocals and paranoiac violin riffs reminiscent of King ...