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Painting Caravaggio: Ancient Rome (painting) Painting Giovanni Paolo Panini: Charles I at the Hunt: Painting Anthony van Dyck: Oath of the Horatii: Painting Jacques-Louis David: The Coronation of Napoleon: Painting Jacques-Louis David: Bacchus: Painting Leonardo da Vinci: Mona Lisa: Painting Leonardo da Vinci [1] St. John the Baptist: Painting ...
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
The Public Viewing David's 'Coronation' at the Louvre is an 1810 oil painting by the French artist Louis-Léopold Boilly. [1] [2] It depicts a crowd of spectators at the Salon of 1810 at the Louvre in Paris examining the painting The Coronation of Napoleon by Jacques-Louis David, which portrays the coronation of Napoleon and his first wife Josephine. [3]
The characters in the painting. Napoleon I (1769–1821), is standing, dressed in coronation robes similar to those of Roman emperors. Others are merely passive spectators. In the actual painting it is possible to see the outline of what was originally painted: Napoleon holding the crown above his own head, as if placing it on himself.
The Louvre's extensive collections of Asian art were moved to the Guimet Museum in 1945. Nevertheless, the Louvre's first gallery of Islamic art opened in 1893. [60] Generalfeldmarschall Gerd von Rundstedt is seen with a plaster model of the Venus de Milo, [61] while visiting the Louvre with the curator Alfred Merlin on 7 October 1940.
[8] The Louvre, newly filled with booty seized by Napoleon in his campaigns in Belgium, the Netherlands, and Italy, provided French artists of the early nineteenth century with an unprecedented opportunity to study, compare, and copy masterworks from antiquity and from the entire history of European painting. [9]
This painting uses elements of the composition of Jacques-Louis David's 1784 Oath of the Horatii, also held at the Louvre, such as the three arcades from Oath, which defined three different worlds (the three sons making the oath in the left, the father brandishing the swords in the middle and the women abandoned to sadness in the right), a principle taken up in this painting as well.
In 1797, soldiers of Napoleon's French Revolutionary Army plundered the picture as war booty during the Italian campaigns of the French Revolutionary Wars (1792–1802). The pictorial area (67.29 m 2) of the canvas makes The Wedding Feast at Cana the most expansive picture in the paintings collection of the Musée du Louvre.