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Telharmonium console by Thaddeus Cahill 1897. The Telharmonium (also known as the Dynamophone [1]) was an early electrical organ, developed by Thaddeus Cahill c. 1896 and patented in 1897. [2] [3] [4] The electrical signal from the Telharmonium was transmitted over wires; it was heard on the receiving end by means of "horn" speakers. [5]
Cahill had tremendous ambitions for his invention; he wanted telharmonium music to be broadcast into hotels, restaurants, theaters, and even houses via the telephone line. [3] At a starting weight of 7 tons (and up to 200 tons) and a price tag of $200,000 (approx. $5,514,000 today), only three telharmoniums were ever built, and Cahill's vision ...
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Bible trivia questions and answers that will test your knowledge on popular Bible verses and psalms. ... 140 fun trivia questions for kids (and answers) Lighter Side. People.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Immediate source: The ‘Telharmonium’ or ‘Dynamophone’ Thaddeus Cahill, USA 1897. 120 Years of Electronic Music (120years.net). Date: 1907 (original file) Source: This file was derived from: Telharmonium - Scientific American 1907.png: Author: Telharmonium - Scientific American 1907.png: Unknown author; derivative work: Clusternote
Simplified diagram of how a tonewheel works Goldschmidt tone wheel (1910), used as an early beat frequency oscillator. A tonewheel or tone wheel is a simple electromechanical apparatus used for generating electric musical notes in electromechanical organ instruments such as the Hammond organ and in telephony to generate audible signals such as ringing tone.
[24] "History", or specifically biblical history, in this context appears to mean a definitive and finalized framework of events and actions—comfortingly familiar shared facts—like an omniscient medieval chronicle, shorn of alternative accounts, [25] psychological interpretations, [26] or literary pretensions. But prominent scholars have ...