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Example of a cradled panel, mounted on the back of a painting by Aert van der Neer. Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel .
High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
If the frame is a stylistically appropriate and of the same age as the painting; If the frame is a "livery" or "gallery" frame; If the frame is a replica; An authentic frame conveys the spirit of the time in which it was made. For the safety of the art, authentic frames can be modified to include glazing and backboards. [2]
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
The frames around paintings are not just for aesthetic appearances. Frames are also used to protect the more sensitive parts of a painting when handled by hand, and they reduce the potential for damage if the painting is dropped. [3] There are also specialists that work on the conservation and restoration of painting frames.
The purpose of lining a painting is to mitigate or revert wear caused by agents of deterioration by strengthening or spreading the tensile load of the artwork's canvas. [1] In the nineteenth century, lining was seen as a preventive practice used to ensure the longevity of a painting, even if the painting did not exhibit any signs of structural ...
Richard Anderson is an American concept artist, illustrator, and painter. He won the Gold Spectrum Award in 2011, the Art Directors Guild Award for Excellence in Production Design for a Fantasy Film in 2015, and he was the final person to win the Gemmell Award for Best Fantasy Cover Art.
John Held, Jr. was an illustrator who worked in a variety of styles and media, including linoleum cuts, pen and ink drawings, magazine cover paintings, cartoons, comic strips, and set design, while also creating fine art with his animal sculptures and oil pastels, many established illustrators attended an art school or college of some sort and ...