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The OD-1's "overdrive" referenced the pedal's asymmetrical-clipping, tube-like distortion, [38] which stood in contrast to the brash sound of "fuzz" pedals on the market. [40] The OD-1's layout was simple—with only "Level" and "OverDrive" controls. It was an immediate success, paving the way for future compact overdrive pedals.
They created a fuzz-wah pedal that was very popular, and marketed under multiple trade names including Ibanez. During the 1970s, Ibanez became one of the company's main OEM customers. Nisshin Onpa designed and manufactured the popular TS-808/TS808 and TS9 Tube Screamers for Ibanez from 1974 until 2002, and many other devices including the FL9 ...
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
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This is an accepted version of this page This is the latest accepted revision, reviewed on 30 January 2025. Classified advertisements website Craigslist Inc. Logo used since 1995 Screenshot of the main page on January 26, 2008 Type of business Private Type of site Classifieds, forums Available in English, French, German, Dutch, Spanish, Italian, Portuguese Founded 1995 ; 30 years ago (1995 ...
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
However, most ODS overdrive channels have a large amount of tube distortion available. Many later versions of the ODS have "HRM" controls on the inside of the amplifier, which is a "hot rubber monkey" tone stack that sits "on top" of the overdrive channel or, in other words, comes after the overdrive channel tube gain stage.