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At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
Ranks the top 100 singles in China by China, Hong Kong and Taiwan artists based on digital downloads and streaming. Collaborates with Tencent Music: Hits of the World: Ranks the top 25 songs in more than 40 countries. Hot 100 Perú [37] Ranks the top 100 singles in Peru based on airplay, digital downloads, and streaming. Hot 100 Artistas Peruanos
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
The Top 40, whether surveyed by a radio station or a publication, was a list of songs that shared only the common characteristic of being newly released. Its introduction coincided with a transition from the old ten-inch 78 rpm record format for single "pop" recordings to the seven-inch vinyl 45 rpm format, introduced in 1949, which was ...
Bill Monroe once described bluegrass music as, "It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound." [4] Bluegrass features acoustic stringed instruments and emphasizes the off-beat. The off-beat can be "driven" (played close to the previous bass note) or "swung" (played farther from ...
And yet you have impact in that field in small or big ways, from doing an intimate show at Hollywood’s Catalina Jazz Club last year to having your album debut at No. 1 on the jazz chart.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Morton was a crucial innovator in the evolution from the early jazz form known as ragtime to jazz piano, and could perform pieces in either style; in 1938, Morton made a series of recordings for the Library of Congress in which he demonstrated the difference between the two styles. Morton's solos, however, were still close to ragtime, and were ...