Search results
Results From The WOW.Com Content Network
The presence of music criticism continued to grow, and by the 20th century numerous major newspapers had joined The Morning Post and Times in establishing permanent music critic posts, including The Daily Telegraph, The Guardian, The Observer and The Sunday Times in Britain, and the Chicago Tribune, New York Herald Tribune and The New York ...
Bernard Holland, music critic (1981–1994), chief music critic (1995–2008) Cathy Horyn, fashion critic (1998–2014) Sarah Jeong, Editorial Board [55] Walter Kerr, Sunday drama critic; Anna Kisselgoff, dance critic from 1968, chief dance critic (1977-2005) Arthur Krock, Pulitzer Prize winning correspondent and columnist
Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
He is the author of four books: Every Song Ever: Twenty Ways to Listen in an Age of Musical Plenty (2016), The Jazz Ear: Conversations Over Music (2008), Jazz: A Critic's Guide to the 100 Most Important Recordings (2002), and a critical biography of John Coltrane (The Story of a Sound, 2007), which was a finalist for the National Book Critics ...
In 2011 Woolfe started working as a freelance music critic for The New York Times, reporting on opera festivals in the US and internationally. In 2015 he became classical music editor, before being appointed as chief classical music critic in 2022.
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. [1] Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", [2] Tommasini was the chief classical music critic for The New York Times from 2000 to 2021.
In the 1970s, he was an associate editor of Crawdaddy!, where he published his first works (outside school publications); [4] and in the 1980s, an associate editor at Rolling Stone and the music editor at The Village Voice. He started contributing to The Times in 1982. [3] He reviews popular music in the arts section of The Times. [4]
Anthony Tommasini, the chief music critic for The New York Times, has praised Page's criticism for its "extensive knowledge of cultural history, especially literature; the instincts and news sense of a sharp beat reporter; the skills of a good storyteller; infectious inquisitiveness; immunity to dogma; and an always-running pomposity detector."