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Christ taking Leave of his Mother, by Albrecht Altdorfer c. 1520, one of the treatments with a landscape background.. The subject does not illustrate any Biblical passage, but derives from one of the Pseudo-Bonaventura's "Meditations on the life of Christ" (1308), and the "Marienleben" (German for "Life of the Virgin"; about 1300) by Philipp von Seitz [], also known as "Brother Philipp, the ...
The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
21 When Jesus had thus said, he was troubled in the spirit, and testified, and said, Verily, verily, I say unto you, that one of you shall betray me. 22 The disciples looked one on another, doubting of whom he spake. 23 There was at the table reclining in Jesus' bosom one of his disciples, whom Jesus loved.
The White Lily is specific to virginal saints, whether female or male: Lilies with three petals [3] Lily of the valley: Chastity, humility and humbleness of Mary: Palm branch: Martyrdom: Symbol of victory, triumph and peace Passionflower: Crucifixion of Jesus: Each part of the flower represents a different aspect of the Passion of Christ [3 ...
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
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Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...