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"España cañí" (meaning "Gypsy Spain" in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. In English it is also known as the Spanish Gypsy Dance. [1]
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
Ezquerro, Antonio; Guerrero, María Cinta (1999), "La música en la Real Colegiata del Santo Sepulcro de Calatayud" [Music in the Royal Collegial Church of the Holy Sepulchre of Calatayud], Revista de Musicología, XXII-2 (2): 11– 52, doi:10.2307/20797602, hdl: 10261/37801, ISSN 0210-1459, JSTOR 20797602
Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.
The company also supplied sheet music for this new type of accordion. [12] Although these were reportedly popular, it was not until later when the instrument became more widespread. In Northern Europe, free-bass accordionist Mogens Ellegaard , along with Hugo Noth and Joseph Macerollo , [ 13 ] [ 14 ] helped popularize the instrument and inspire ...
What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non- Castilian-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
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