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Many other jazz artists also borrowed from black gospel music. Before World War II, American churches, black and white, regarded jazz and blues with suspicion or outright hostility as "the devil's music". It was only after World War II that a few jazz musicians began to compose and perform extended works intended for religious settings or ...
Critic Robert Cummings wrote: "The jaunty, spirited theme hardly sounds like the product of the pre–Civil War era, and would not sound out of place in a ragtime or even jazz musical from the early 20th century. The closing portion of the tune, sung to the words quoted above, is its most memorable portion: the notes plunge emphatically and ...
After releasing their 1968 Scripture in Song EP album, a children's song book and album, and their first full-length LP record, in 1972, the Garratts released their Scripture in Song double album Prepare Ye The Way. It the brand's biggest hit, selling hundreds of thousands of albums globally, including 88,000 copies sold in New Zealand ...
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written as a part of the first movement of a suite entitled Black, Brown and Beige . Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie ...
Cross Rhythms reviewer Tony Cummings gave the album nine stars out of ten, describing it as "surely the most ambitious various artists album to be released for years." [4] Kevin Garrett of Christianity Today said "One might find it a challenge to produce a single piece of art encompassing the expansive tale of hope for humanity, from Creation to Christ to the Second Coming.
The album received a Grammy Award nomination for Best Jazz Instrumental Performance. [4]In a review for AllMusic, Chris Slawecki wrote: "Always inventive, curious, daring, and exuberant, Garrett's Songbook proves him worthy of the alto legacy that most people... seem to agree he carries, as he demonstrates what sounds like the uncanny ability to play two-faced -- one face looking forward to ...
There are many forms of song which are used in Jewish religious services and ceremonies. The following are notable examples. With the piyyutim (liturgical poems—singular: piyut), dating from the first millennium after the destruction of the Temple, one stream of Jewish synagogal music began to crystallize into definite form.