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Some patterns were made to evoke the look of marble. [37] Embroidery of tigers and lions on some items may have been drawn from traditional Tibetan art or from Byzantine culture. [45] [46] The shoes were elaborately sculpted with various motifs including ivy, skulls, and wings. [47] [48]
The sleeves of the camisa are similar to the so-called "angel wings", or shaped like bells. The correct term for the sleeves of the camisa during the mid to late 1800s is a "pagoda" – derived from early Western silhouettes of the Victorian period. [10]
Each wing comprises 63 isosceles triangles of stainless steel about 6 mm (0.24 in) thick, assembled into a monocoque helical form that stands about 11 m (36 ft) high. The design was inspired by origami experiments from folding pieces of A4 paper.
Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
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The sleeves of the camisa are similar to the so-called "angel wings", or shaped like bells that have cuffs. The pañuelo is a stiff covering for the neck, which acts as an accent piece because of embellishments added to it. The purpose of the pañuelo is related to modesty, used to cover the low-necked camisa'.
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The Wounded Angel (Finnish: Haavoittunut enkeli; Swedish: Sårad ängel; 1903) is a painting by Finnish symbolist painter Hugo Simberg.It is one of the most recognizable of Simberg's works, and was voted Finland's "national painting" in a vote held by the Ateneum art museum in 2006.