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"Heartlight" is a song written by Neil Diamond, Carole Bayer Sager and her then-husband, Burt Bacharach, [1] and recorded by Diamond in 1982. It is the first track on Diamond's 1982 album, also titled Heartlight , and reached number five on the Billboard Hot 100 , becoming his thirteenth (and last) top 10 hit on the chart.
Devotional – A Performance Filmed by Anton Corbijn is a video release by the English electronic music band Depeche Mode, featuring almost an entire concert from their 1993 Devotional Tour, filmed in Barcelona (Palau Sant Jordi), Liévin (Stade Couvert Régional) and Frankfurt . It was directed by Anton Corbijn, and released in 1993.
"Heartlight" Neil Diamond: Carole Bayer Sager, Neil Diamond: 5 47 "That's What Friends Are For" Rod Stewart: Carole Bayer Sager - - 1985: Dionne Warwick and Friends (Stevie Wonder, Elton John and Gladys Knight), #1 US pop, #1 R&B, #16 UK 1983 "Front Page Story" Neil Diamond Carole Bayer Sager, Neil Diamond: 65 - 1984 "A Chance for Heaven ...
The song "Heartlight" was Diamond's last top 10 pop hit and also his last #1 on the Adult Contemporary chart, while "I'm Alive" was his last top 40 hit. While Diamond continued having some success and periodic hits, and some television specials and film appearances, the period after Heartlight did not have for him the same level of sales ...
A devotional is a part of the prayer service proper and is not, in these contexts, ornamentation. Within the Reformed tradition, church music in general was hotly debated; some Puritans objected to all ornament and sought to abolish choirs, hymns, and, inasmuch as liturgy itself was rejected, devotionals.
The glucose tolerance test was first described in 1923 by Jerome W. Conn. [4]The test was based on the previous work in 1913 by A. T. B. Jacobson in determining that carbohydrate ingestion results in blood glucose fluctuations, [5] and the premise (named the Staub-Traugott Phenomenon after its first observers H. Staub in 1921 and K. Traugott in 1922) that a normal patient fed glucose will ...
Devotional music genres such as Bhajan are part of a tradition that emerged from these roots. [ 16 ] However, bhajans rose to prominence as a way of expressing fervent devotion to the divine, breaking down barriers of caste and society, during the Bhakti and Sant movements of medieval India (about the 6th to the 17th centuries).
Second, these new devotional communities of Mughal India were alike in their production and performance of devotional works, composed in vernacular languages, remembering the deeds of God (especially Kṛṣṇa and Rām) and exemplary bhaktas. Third, important in all these communities was the performance and collection of songs attributed to ...