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Centered on the north wall (31′ x 11′6″ [9.4m x 3.5m]) is the gigantic figure of John Brown. In his outstretched left hand the word of God and in the right a “Beecher's Bible." Beside him facing each other are the contending free soil and pro-slavery forces.
The subject seems oddly unmartial for a commission by a man whose raison d'etre was to fight the Turks – St Jerome was venerated as the translator of the Bible, which he is seen doing here. But Malaspina was not only a famous warrior, he was also a commissioner for the poor, orphans, and widows, and the painting may have been intended to ...
The term Poor Man's Bible has come into use in the modern era to describe works of art within churches and cathedrals which either individually or collectively have been created to illustrate the teachings of the Bible for a largely illiterate population. These artworks may take the form of carvings, paintings, mosaics or stained-glass windows.
The End of the World, commonly known as The Great Day of His Wrath, [1] is an 1851–1853 oil painting on canvas by the English painter John Martin. [2] Leopold Martin, John Martin's son, said that his father found the inspiration for this painting on a night journey through the Black Country.
The Inspiration of Saint Matthew (1602) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio.Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy.
'the Mighty') are a group of 37 men in the Hebrew Bible who fought with King David and are identified in 2 Samuel 23:8–38, part of the "supplementary information" added to the Second Book of Samuel in its final four chapters. The International Standard Version calls them "David's special forces". [1]
The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
The Calanais Stones (or "Calanais I": Scottish Gaelic: Clachan Chalanais or Tursachan Chalanais) are an arrangement of standing stones placed in a cruciform pattern with a central stone circle, located on the Isle of Lewis, Scotland.