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The costume consists of a leather hat, mask with glass eyes and a beak, stick to remove clothes of a plague victim, gloves, waxed linen robe, and boots. [2] The typical mask had glass openings for the eyes and a curved beak shaped like a bird's beak with straps that held the beak in front of the doctor's nose. [5]
A yashmak, yashmac or yasmak (from Turkish yaşmak, "a veil" [1]) is a Turkish and Turkmen type of veil or niqāb worn by women to cover their faces in public. Today, there is almost no usage of this garment in Turkey. In Turkmenistan, however, it is still consciously used by some married women in the presence of elder relatives of a husband ...
Battoulah (Arabic: بطوله, romanized: baṭṭūleh; Persian: بتوله), also called Gulf Burqah (Arabic: البرقع الخليجي), [1] [note 1] is a metallic-looking fashion mask traditionally worn by Khaleeji Arab and Bandari Persian Muslim women in the area around the Persian Gulf.
The facekini (Chinese: 脸基尼; pinyin: liǎnjīní) is a mask designed for swimmers and beachgoers that covers the head and face, revealing only the eyes, nose, and mouth. [ 1 ] [ 2 ] [ 3 ] The mask is made of stretchy fabric commonly used in bathing suits , [ 4 ] and comes in different colors and patterns. [ 5 ]
Elizabeth I had masks lined with perfumed leather and made with satin supplied by Baptist Hicks. In September 1602, she was observed wearing a mask while walking in the garden at Oatlands Palace. [7] In 1620 the lawyer and courtier John Coke sent clothes and costume to his wife, including a satin mask and two green masks for their children. [14]
A cloth face mask is a mask made of common textiles, usually cotton, worn over the mouth and nose.When more effective masks are not available, and when physical distancing is impossible, cloth face masks are recommended by public health agencies for disease "source control" in epidemic situations to protect others from virus laden droplets in infected mask wearers' breath, coughs, and sneezes.
For women this fashion was often dominated by long, flowing dresses and regal jacket bodices. The latter extended over the hips and matched the skirt fabric only occasionally. In the beginning of the 1860s, the bodice ended at the waist. New styles emerged and the Garibaldi blouse, made its appearance.
Their masks were often masterpieces of carving, sometimes with movable jaws, with the parts sometimes moved by pulling cords, or a mask within a mask to represent a magical transformation. The carving of masks was an important feature of woodcraft, along with many other features that often combined the utilitarian with the symbolic, such as ...