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Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses. His landscapes are also considered to be done in a style that focuses more on a literal ...
Zong Bing (Chinese: 宗炳; Wade–Giles: Tsung 1 Ping 3, style name Shaowen 少文, 375 – 443 [1]) was a Chinese artist and musician who wrote the earliest text on landscape painting. He wrote that “Landscapes have a material existence, and yet reach also in a spiritual domain.”
Li Cheng did many landscape paintings with diluted ink, a technique called "treating ink like gold", which gives the appearance of a foggy dream world. In his day, he was considered the greatest landscape painter of all time. His paintings carried on an artistic dialogue with those of Wu Daoxuan. Li Cheng primarily portrayed the landscapes of ...
From the annotations of the text of the painting, on the 11th month of 1329, the painting entered the collection of Jayaatu Khan Tugh Temür (Emperor Wenzong of Yuan), whose ownership of the painting was seen as a reminder of his duties to his subjects, as according to Cahill, the painting evokes the hardships of the everyman. [4] [7]
Chinese landscape painting, "shanshui hua" means the painting of mountains, rivers, and cliffs which are the two major components that represents the essence of the nature. Shanshui in Chinese tradition is given rich meaning, for example mountain represents Yang and river indicates Yin.
Reading Stele Nest Stone by Li Cheng (919–967). The northern landscape style (Chinese: 北宗画; pinyin: běi zōng huà) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the Five Dynasties period that occupied the time between the collapse of the Tang dynasty and the rise of the Song.
The Tang dynasty saw the maturity of the landscape painting tradition known as shanshui (mountain-water) painting, which became the most prestigious type of Chinese painting, especially when practiced by amateur scholar-official or "literati" painters in ink-wash painting. In these landscapes, usually monochromatic and sparse, the purpose was ...