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Lyric Poetry (1896) Henry Oliver Walker, in the Library of Congress's Thomas Jefferson Building.. Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1]
Only a small sampling of lyric poetry from Archaic Greece, the period when it first flourished, survives. For example, the poems of Sappho are said to have filled nine papyrus rolls in the Library of Alexandria, with the first book alone containing more than 1,300 lines of verse.
Thus, some types of poetry which would be included under the label "lyric poetry" in modern criticism, are excluded—namely, the elegy and iambus which were performed with flutes. The Nine Lyric Poets are traditionally divided among those who primarily composed choral verses, and those who composed monodic verses.
An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece.Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
Owen's poem Strange Meeting has been described as "a dream of a conversation with a dead lyric poet, or possibly even dead lyric itself." [ 4 ] The Irish poet William Butler Yeats 's work up to 1917 is predominantly dramatic and lyric love poetry, but after the First World War he explores the political subjects of Irish independence ...
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument. [1] Among the most famous of secular poetry is Carmina Burana, a manuscript
The Galliambic metre of Catullus's poem 63 (but of which there are no extant examples in Greek) is a development of the anacreontic. The Sotadean metre, named after the poet Sotades (3rd century BC) is another variation of ionic. It was also used occasionally in Latin, for example in two poems in Petronius.
Theocritus provides an example of the Hellenistic adaptation of Aeolic poetry in his Idylls 28 – 31, which also imitate the Archaic Aeolic dialect. Idyll 29, a pederastic love poem, "which is presumably an imitation of Alcaeus and opens with a quotation from him," [11] is in the same meter as Book II of Sappho. The other three poems are ...