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The Messiah (Māšîaḥ) is an Old Testament Hebrew word meaning "the Anointed One", which in New Testament Greek is Christ, a title given to Jesus of Nazareth, known by his followers as "Jesus Christ". Handel's Messiah has been described by the early-music scholar Richard Luckett as "a commentary on [Jesus Christ's] Nativity, Passion ...
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
The solos are typically a combination of recitative and aria. The arias are called Airs or Songs, and some of them are in da capo form, but rarely in a strict sense (repeating the first section after a sometimes contrasting middle section). Handel found various ways to use the format freely to convey the meaning of the text.
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Consequently, he does not emphasize with equal weight the various themes of Psalm 98. In first and second stanzas, Watts writes of heaven and earth rejoicing at the coming of the King. Watts did not write this hymn as a Christmas carol, as the lyrics do not reflect the Virgin birth of Jesus, but rather Christ's Second Coming. Stanza three, an ...
Fa-mi signifies deprecation, while sol is the note of the resurrection, and la is above the resurrection, His heavenly glory ("surrexit Jesus"). Such musical words are placed on words from the Biblical Latin text; for instance when fa-mi-sol-la is placed on " et libera " (e.g., introit for Sexagesima Sunday) in the Christian faith it signifies ...
At the time of its release, music critics commented on the choir's "great romantic choral tone, deep with feeling that is able to communicate the inner meaning of the world's great choral music." Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love ...
Echoing the first song's "a bruised reed he will not break," he sustains the weary with a word. His vindication is left in God's hands. Isaiah 50:4-9 Isaiah 50:4–7 is seen by New Testament commentators to be a Messianic prophecy of Jesus Christ. 50:6 is quoted in Handel's "Messiah" of Jesus. There is an allusion in Luke 9:51 to Isaiah 50:7 ...