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A longma (lower left corner) on a rubbing from the Wu Liang shrines' reliefs. Longma or "dragon horse" connects with other creatures in Chinese folklore.While longma sometimes applies to the Qilin, [13] the closest relative is the legendary tianma 天馬 "heavenly horse" or the "Chinese Pegasus", which was metaphorically identified with the hanxuema 汗血馬 "blood-sweating horse" or Ferghana ...
The dragon transforms into the White Dragon Horse and serves as Tang Sanzang's steed for the rest of the latter's journey. [ 6 ] When Tang Sanzang was captured by the Yellow Robe Demon , the White Dragon Horse transforms himself into a young man and attempts to save Tang Sanzang, but fails.
"Longma" means dragon-horse, or horse-dragon. Among other accounts, a longma was said to have revealed the Yellow River Map, an early example of a mathematical magic square. Indeed, the presence of a longma was used as a sign of connection with the manifestation of one of the legendary sage-rulers of legend, particularly one of the Three ...
This creature was called "Ma Nin Mangkorn" (Thai: ม้านิลมังกร, "ceylonite dragon horse"), it is depicted as it has diamond fangs, ceylonite scales, and a birthmark on the tongue. It was a mixture of horse, dragon, deer antlers, fish scales, and Phaya Nak tail, with has black sequins all over. Its appearance resembles a qilin.
Chinese dragon-horse (longma). While horses feature in various beliefs and traditions, they do not hold the same significance in Chinese culture as mythological animals such as cranes, phoenixes, dragons, and tigers. [19] The association of the qilin with the unicorn—and by
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Dragon King (various): one of the various kings – dragons ruling other dragons and often aquatic beings in general. Fuzanglong (伏藏龍/伏藏龙): the treasure dragon; Jiaolong (蛟龍/蛟龙): dragon of floods and sea; Shenlong (神龍/神龙): the rain dragon; Teng (螣): a flying creature, sometimes considered a type of snake or dragon ...
The nine sons of the dragon is a traditional name for a set of mythological creatures whose imagery is used in certain types of decorations. The concept was first mentioned by Lu Rong in the Ming Dynasty, although similar set of creatures (not necessarily nine) is recorded even earlier.