Search results
Results From The WOW.Com Content Network
In front of the harp, the figure of a bare-chested black man was kneeling, holding sheet music for the song. The plaster was given a dark surface treatment, and finished like basalt. Savage named the sculpture Lift Every Voice and Sing after the poem and hymn, but the fair's organizing committee renamed it The Harp. Exhibited outside the ...
A Salvi double-action concert harp. Salvi is one of the most important manufacturers of high-quality harps. [1] About 90 employees make about 2,000 harps a year from spruce and maple wood, about half of which are concert (double action) harps, and the remaining lever and electroacoustic harps.
In the late 1970s, Steinway & Sons (then owned by CBS) purchased Lyon & Healy and soon after closed all retail stores, which sold sheet music and musical instruments, to focus on harp production. By 1985, Lyon & Healy also made folk harps, also known as Irish harps , which are even smaller than the Troubadour.
In the 1920s, Dilling commissioned Browne & Buckwell to make a non-pedal harp with an "Egan-like mechanism and seven ditals". [10] Her Celtic Single Action Harp, Dilling Model, is a non-pedal harp with seven levers on the top that control the tuning of each note in a scale individually. Dilling used this kind of harp on her first European tour. [2]
Joseph George Morley (1847–1922) inherited his father's harp business and went on to become Britain's most prominent harp maker. [3] Following the demise of Érard's London operation in 1890, Joseph George took over Érard's London stock and goodwill and established a shop and workshops at 6 Sussex Place, South Kensington, London. [1]
In 2015 a Lucky in Love casserole dish sold for $4,000. Other 1950s or early '60s patterns, such as "Atomic Eyes" and "Balloons," are worth well over $100 for a single piece.
Victor Salvi was born into an Italian family and was the youngest child of Rodolfo Salvi and Apollonia Paoliello. Rodolfo was himself a musician and an instrument maker from Venice, who moved to the small Southern village of Viggiano, Basilicata, land of travelling musicians who brought their music and traditions all over the world, as well as known for the construction of harps.
As previously stated, the arpa jarocha was once commonly played while seated, similarly to its ancestor the Spanish harp from the 16th century. In modern times, since approximately the 1940s, the arpa jarocha has been built in a larger scale, following the general pattern of the Western Mexican harps from Jalisco and Michoacán.