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In 1998, the tribute album Awesome God: A Tribute to Rich Mullins was released, featuring favorite Mullins songs reinterpreted by his Christian music peers. Mullins' family founded The Legacy of a Kid Brother of St. Frank to continue his mission to develop programs of art, drama and music camps for Native American youth and provide a traveling ...
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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"Awesome God" is a contemporary worship song written by Rich Mullins and first recorded on his 1988 album, Winds of Heaven, Stuff of Earth. It was the first single from the album and rose to the number one spot on Christian AC radio and subsequently became a popular congregational song. [ 1 ]
"Awesome God" (4:32) - Michael W. Smith. Mullins' version appeared on Winds of Heaven, Stuff of Earth 1988 "Jacob and 2 Women" (3:26) - Carolyn Arends. Mullins' version appeared on The World as Best as I Remember It, Volume One 1991 "Verge of a Miracle" (4:17) - Billy Crockett Mullins' version appeared on Pictures in the Sky 1987
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In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).