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Girl with Balloon (also, Balloon Girl or Girl and Balloon) is a series of stencil murals around London by the graffiti artist Banksy, started in 2002.They depict a young girl with her hand extended toward a red heart-shaped balloon carried away by the wind.
Yoshiwara no Hana (吉原の花, "Flowers in Yoshiwara") (c. 1791–92) is believed to have been the second painting executed in the series. The horizontal painting is a hanging scroll [ 19 ] of eight joined sheets of Xuan paper, [ 7 ] together measuring 186.7 by 256.9 centimetres (73.5 in × 101.1 in), and executed in ink in c. 1791–92 . [ 19 ]
Flying Balloon Girl, also known as Balloon Debate, is a 2005 stencil mural in the West Bank by the graffiti artist Banksy, depicting a young girl holding a bunch of seven balloons floating above the 8 meter-high wall built around the Palestinian enclave near the Qalandia checkpoint.
After the shredding, there was a negotiation with the buyer to confirm the sale, and on 11 October it was agreed that the sale would go through at the full original price. The work was renamed by Pest Control, from Girl with Balloon, to Love is in the Bin. Market watchers speculated that the self-destruction would increase the artwork's value. [11]
Pages in category "Flower paintings" The following 61 pages are in this category, out of 61 total. This list may not reflect recent changes. A. Almond Blossoms; B.
The Flower Thrower, Flower Bomber, Rage, or Love is in the Air is a 2003 stencil mural in Beit Sahour in the West Bank by the graffiti artist Banksy, depicting a masked man throwing a bunch of flowers. [1] It is considered one of Banksy's most iconic works; the image has been widely replicated. [1]
Masterpiece is a pop art painting by Roy Lichtenstein, from 1962, that uses his classic Ben-Day dots and narrative content contained within a speech balloon. In 2017, the painting sold for $165 million.
Study for Stella Arundel Castle (1989) at the National Gallery of Art in 2022, a near-identical reproduction by Sturtevant of a painting by Frank Stella. Sturtevant's earliest known paintings were made in New York in the late 1950s. In these works, she sliced tubes of paint open, flattened them, and attached them to canvas. [3]