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Margarita Madrigal was born on May 15, 1912, in Alajuela, Costa Rica.She was followed by a sister, Marcella, and a brother, Miguel. During her childhood, Margarita moved many times with her family following her father's performances and teaching assignments across Latin America.
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]
Baci soavi e cari (Giovanni Battista Guarini)Bella Angioletta, da le vaghe piume (Torquato Tasso)Come esser può ch'io viva (Alessandro Gatti)Felice primavera (Tasso) Gelo ha madonna il seno (Tasso)
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
Carlo Gesualdo da Venosa (between 8 March 1566 and 30 March 1566 – 8 September 1613) was an Italian nobleman and composer. Though both the Prince of Venosa and Count of Conza, he is better known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century.
The Triumphs of Oriana is a book of English madrigals, compiled and published in 1601 by Thomas Morley, which first edition [1] has 25 pieces by 23 composers (Thomas Morley and Ellis Gibbons have two madrigals) for 5 and 6 voices. The first 14 madrigals are for 5vv, the last 11 for 6vv.
Martha Madrigal Castillejos (1929 — 22 January 2021) was a Mexican poet and storyteller. Among her works are Haikais (2000), Cónclave de signos, Antología poética (2020), and Me gusta escribir poesía . [ 3 ]
Don Nicolás María Vidal y Madrigal (10 December 1739 – 25 May 1806) was a colonial official in Spanish Louisiana and Spanish Florida from 1799–1801. Biography [ edit ]