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The Winslow Homer Studio is the historic studio and home of the artist Winslow Homer, which is located on what is now Winslow Homer Road on Prouts Neck in Scarborough, Maine. Maine architect John Calvin Stevens altered and expanded an existing carriage house to suit Homer's needs in 1884, even moving the building 100 feet for added privacy from ...
Moonlight, Wood Island Light is a late 19th-century oil painting by American artist Winslow Homer. The painting is in the collection of the Metropolitan Museum of Art in New York. [1] Moonlight depicts a nighttime seascape outside of Homer's studio in Portland, Maine.
Searchlight on Harbor Entrance, Santiago de Cuba is an early 20th century painting by American artist Winslow Homer. It is currently (2018) in the collection of the Metropolitan Museum of Art . [ 1 ]
Like The Fog Warning and Breezing Up, he created it during his time in Maine. [1] It is on display in the Metropolitan Museum of Art in New York. Viewers are presented a struggle of elements between the sea and the rocky shore. [2] Winslow Homer excelled in painting landscape paintings that depicted seascapes and mountain scenery. [3] [4]
Winslow Homer Studio: Scarborough: Cumberland: Southern Maine Coast: Historic house: House and studio of artist Winslow Homer, tours by the Portland Museum of Art Wiscasset, Waterville, and Farmington Railway Museum: Alna: Lincoln: Mid Coast: Railway: 2 ft (0.61 m) (610 mm) gauge heritage railway and museum Woodlawn Museum: Ellsworth: Hancock ...
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects.He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
Maine Coast is an 1896 oil painting on canvas by American artist Winslow Homer. It is part of the collection of the Metropolitan Museum of Art in New York. [1] The painting is a seaward view from the cliffs at Prouts Neck, Scarborough, Maine on a stormy day. A powerful wave is about to crash onto the black rocks below in a mass of white foam.
She writes, "In reality, the offshore wave would break only at low tide, but the wave fills the inlet only at high tide." In his Winslow Homer in the 1890s: Prout's Neck Observed, Homer expert Philip Beam noted the artist's rearranging of the horizontal ledges of rock into a triangular shape so that "it rivets attention on his main motive". [1]