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Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [ 1 ] In the 20th century, the works of Alexander Calder , Ruth Asawa , and other modern practitioners developed the medium of wire sculpture as an art form.
The wire is affixed to a base which is usually made of wood. The artist then begins fleshing out the sculpture by adding wax or clay over the wire. Depending on the material and technique, the armature may be left buried within the sculpture but, if the sculpture is to be hollowed out for firing, it must 1 be removed.
Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American modernist artist known primarily for her abstract looped-wire sculptures inspired by natural and organic forms. In addition to her three-dimensional work, Asawa created an extensive body of works on paper, including abstract and figurative drawings and prints influenced by ...
A typical armature for a small sculpture is made of heavy gauge wire, bent and twisted to form the basic shape. Often the armature is designed to leave one or more pins protruding from the base of the finished sculpture to facilitate attaching it to the plinth
Beading Wire is a stranded stainless steel wire with a nylon coating. It is good to use with abrasive beads. A thinner wire will give an appealing drape to lightweight beads such as gemstone heishe, liquid gold, or liquid silver and bugle or seed beads. A thicker weight wire should be used to accommodate larger, heavier bead strands.
The artist claimed that the sculpture "went unnoticed". [2] The sculpture was remanufactured on a much larger scale and it was featured at the 2015 Burning Man festival. [3] [2] In 2015 the art theme of Burning Man was "Carnival of Mirrors". [4] Alexander Milov was the first Ukrainian to receive a grant to exhibit his art at the festival in 30 ...
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The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.